Sunday, January 31, 2010

Things Keep Blending Together

It's a sign of my aging brain, perhaps, or maybe of something in the world at large. But things keep blending together.

Several months ago a Mary Gaitskill novel merged with a memoir by A.M. Holmes as I read them both, becoming some kind of hybrid in my mind.

Now I am reading Margaret Atwood's dystopian novel "The Year of the Flood," which describes a fragmentary, broken civilization of the near future.

Today I read Edwidge Danticat in the New Yorker, talking about her family in Haiti, and I can't separate the two worlds. They are too similar. It's a little unnerving.

An excerpt:


Everyone sounded eerily calm on the phone. No one was screaming. No one was crying. No one said “Why me?” or “We’re cursed.” Even as the aftershocks kept coming, they’d say, “The ground is shaking again,” as though this had become a normal occurrence. They inquired about family members outside Haiti: an elderly relative, a baby, my one-year-old daughter.

I cried and apologized. “I’m sorry I can’t be with you,” I said. “If not for the baby—”

My nearly six-foot-tall twenty-two-year-old cousin—the beauty queen we nicknamed Naomi Campbell—who says that she is hungry and has been sleeping in bushes with dead bodies nearby, stops me.

“Don’t cry,” she says. “That’s life.”

“No, it’s not life,” I say. “Or it should not be.”

“It is,” she insists. “That’s what it is. And life, like death, lasts only yon ti moman.” Only a little while.


Saturday, January 30, 2010

Kochalka Artifact

I found this on the floor today; an artifact from the day a couple years ago when James Kochalka visited Fergus' "Comics Club" at the library in Montpelier. It must have fallen out of our copy of "Pinky and Stinky" (a story of two space-traveling pigs). If I post this online do I have to pay him royalties?

Homage to 69 Love Songs

"The connection between the signifier and the signified is arbitrary."
-Ferdinand de Saussure

There was a time in the mid-90's when I could at least feebly banter about the significance of Ferdinand de Saussure to literary theory and modern thought. But I have long since dropped out of grad school, and if I dare say, Ferdinand de Saussure signifies something quite different to me these days.

In late 1999, back when my wife was pregnant with our first kid, I bought "69 Love Songs" by Magnetic Fields.

I listened to it a lot.

We lived in Seattle. The WTO riots spread to our neighborhood. Our baby was born. We moved to Vermont. And now that baby has turned ten.

Amazing.

In the last decade, no record has been on my turntable more often than "69 Love Songs." I return to it again and again. So cheers to Magnetic Fields, and cheers to evil genius Stephin Merritt, seen here in clay trying to kill de Saussure as Holland Dozier Holland look on (claymation apparently by Mr. Merritt himself):


Friday, January 29, 2010

Do You Belong Anywhere?

Bob Murray's Dog House parking lot, Seattle, January 14, 1994

"What does it mean to belong? If your town is changing beyond all recognition, and the things that you used--not only as a sort of physical landscape but as a moral landscape--are disappearing, are crumbling, are being passed-by by the new people who have come to the town, then what does it mean to belong? Do you belong there anymore? Do you belong somewhere else? Or do you belong anywhere? Do you belong in the past? What's in the future for you?"


--Billy Bragg, discussing England's white middle class and the upcoming theater performance "Pressure Drop".

More than anything this excerpt makes me think of Seattle in the late 1990's. Where do I belong? Not there; not anymore.

Saturday, January 23, 2010

The Boy Turns Ten

The Boy Turns Ten:

Boy Turns TenBoy Turns TenBoy Turns TenBoy Turns TenBoy Turns Ten

Boy Turns TenBoy Turns TenBoy Turns TenBoy Turns TenBoy Turns TenBoy Turns Ten

Winter in VT


Winter in VT
Originally uploaded by baseballpajamas
-Rob (mobile)